Musica Poetica. Musical-Rhetori cal Figures in German Baroque Music Dietrich Bartel of Nc-bra the U”I’Cr,’l) of: . Dietrich Bartel. Musica Poetica: Musical-Rhetorical Figures in the German Baroque. Lincoln and London: University of Nebraska Press, xv, pp. Musica poetica: musical-rhetorical figures in German Baroque music / Dietrich Bartel Bartel, Dietrich Bartel then turns to more detailed considerations of the.

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On Music, Politics, and the Limits of Philosophy: Lists with This Book. Lanham quotes Emilia to Othello V, ii”O gull! Rhetorical repetition that is grammatically superfluous.

Is Music a Universal Language? Confirming something by one’s own experience. This entry has no external links. The Philosophy of Music.

Musica Poetica: Musical-Rhetorical Figures in German Baroque Music – Dietrich Bartel – Google Books

A form of epitheton. A repetition of a noemaparticularly between choirs in a polychoral composition. No trivia or quizzes yet. Fergal marked it as to-read Aug 31, Mary Sue Morrow – This article has no associated abstract.


Published July 1st by University of Nebraska Press. A mock given with an accompanying gesture, such as a scornful countenance. mudica

Encomium ; 3 A figure poeticz speech. Request removal from index. Clicking the M-link takes you to a page of musical definitions and examples.

Musica Poetica Musical-Rhetorical Figures in German Baroque Music

Books by Dietrich Bartel. University bargel Chicago Press, However, as Quintilian notes, this is more properly understood as a method of argumentation employing the topic of invention, contraries. A figure of reasoning by which one attributes a cause for a statement or claim made, often as a simple relative clause of explanation. BartelMP; omission of conjunctions between words, phrases, or clauses.

Zeugma comprises several more specialized terms, all of which employ ellipsis and parallelism among the governed members of the sentence. While keeping this general meaning, ” encomium ” also names several distinct aspects of rhetoric: Want to Read saving…. Use of more words than is necessary semantically.


Musica Poetica: Musical-Rhetorical Figures in German Baroque Music

Zeugma is sometimes used simply as a synonym for syllepsisthough that term is better understood as a more specific kind of zeugma: Ambiguity of grammatical structure, often occasioned by mispunctuation.

A transitional statement in which one explains what has been and what will be said. There are no discussion topics on this book yet.

Each entry contains the figure name, whether it is musical, literary, or both, its classification see belowand a short definition. Complaining against injuries or pleading for help.

Current usage of this term is in its most restricted sense repeated musics consonantsaligning it with the vice known as homoeoprophoron or paroemion.