Composer: Fernando J. Obradors () Teresa Berganza, soprano; Felix Lavilla, piano. Aix-en-provence festival 18 July El Vito. El vito is a traditional folk song and dance music of Andalusia whose origins can be traced back to the 16th century. Its name refers to the “disease” known as St. Fernando (Ferran) Jaumandreu Obradors (–) was a Spanish composer . Obradors His orchestral work “El Poema de la Jungla” is inspired by The Jungle Book stories by Rudyard Kipling. Many of his contemporaries left Spain to .

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Berganza’s performance of the Obradors could not be more dynamic, and I love the nonchalant way she presents this difficult song.

Connie April 6, at I love this piece!!! She brings so much nuance to the character, and what a piano part!

Canciones Clásicas Españolas, Vol.3 (Obradors, Fernando)

Dylan Bunten April 9, at 9: The piece is very atmospheric and has the feeling obraxors being in the tavern, as is the origin of the piece.


The line about her being too poor is especially effective with the use of staccato.

How exciting when the images are so clear from listening to a piece. All materials found here are for educational purposes only.

Fernando Obradors – Wikipedia

It is such an effective performance. For the time being, the topics are organized according to geographic locations.

Ednaldo Borba April 12, at 1: The way the voice and piano obrdors is playful, discrete and yet so profound. Katalin April 7, at 2: Yoshi April 10, at 9: It was so nice to hear it performed by such an expert vocalist.

Brooklyn April 7, at What a sensual piece. A driving, perpetual introduction, a vocal line that is very dance-like as well as seductive.

You have these lithe and bouncing stacatti sections obradoors serve as the buildup to the larger, sweeping melodic figures, giving the entire piece a sense of tension and release. Katherine Curtis April 10, at 8: And I really like Teresa Berganza’s facial expressions and body language in here.

Grant mack April 9, at 9: Beverly April 8, at 8: Stop your teasing, sir, kbradors I’ll blush! Emma Lynn April 8, at 5: Amalia Osuga April 6, at 9: Posted by Milagro Vargas at Ashleigh April 9, at 2: Andrew April 5, at On with the dancing, on vto the dancing, ole! Julie April 2, at 2: How to navigate this site: Her body language was great as well.


I love the, as Abby put it, crispness obrwdors this piece and I love the way it exists intimately with the passion. This seems like a really fun song to perform. The introduction of the piano was absolutely amazing it really built up the excitement for the piece. Newer Post Older Post Home.

It feels less like a dance until Berganza comes in. This really highlights the fact that the guitar is so important to the entire Spanish Art Song genre. Sarah Brauer April 9, obradprs